Subarahnoid Space


Once in a great while you go out to see a show, a band you love, and you are given a special and lasting gift - the opening band! Now it is indeed rare in this day and age, but when that opening band you have never heard of in your life comes out on stage and utterly burns the place down, you can only fall to your knees and give thanks to the rock and roll gods below. Boy was I thankful when Subarachnoid Space took the stage Saturday night at the ol' Gilman in Berkeley. This band simply blew me away. The most epic passages of drone and doom swept through the room in tidal waves of sonic bliss. Violent as it was graceful, explosive as it was deliberate, these guys (and girls) play as though they've been playing together for centuries. The familiar and comforting sounds of classic heavy metal were woven into complex, angular symphonic arrangements. Drawing upon the crushing sensibilities of Sabbath and the like, weaving through seemingly endless post-Neurosis lyrical sagas, the band offered something entirely new and fiercely inspired. The interplay between guitars, on top of the interlocked drums and bass held my complete undevided attention at every moment. It's not often that I am so taken back by a band. And that's saying a lot.

Castanets


Oh what beauty. Castanets made their way through town on their tour around the states. The show was somber and soothing. Line up seems to change from time to time, no females on board. Castanets have a soft yet abrasive sound that distinguishes them from the onslaught of freaky folky bands, tho they are indeed quite folky and quite freaky. Fellow acid heads will find a instant friend in the Castanets, with the whispered heady vocals juxtaposed against blissfully painful moments of feedback and distortion. Serious, contemplative, moody music that makes you want to light some candles and make some tea, if you know what I mean. And as always lyrical content seems to make or break a band, and these guys are on the mark. One of those bands that people might not know about but definitely need to check out.

Castanets

Secret Chiefs 3


The illustrious and elusive Secret Chiefs 3 kicked off their first tour in years as the opening act for ZornFest at Yoshi's. The group performed "Xaphan" the new album of Zorn compositions arranged by mad alchemist Trey Spuance. The album soars through dozens of styles as it twists and turns into the unknown. One of the very best releases from Tzadik, Xaphan spans across the globe with it's eccentric instrumentation and eclectic moods. To see the album performed live was unforgettable. The band set up in a circle, drummer at the front of the stage with his back to the crowd - as if the audience were sitting in on a jam session. The sound at Yoshi's SF was second to none. The perfect venue for Zorn.

Secret Chiefs 3

Mayyors

Where did these guys come from? Like a blast back to the good old days, the Mayyors come right out into the audience and kick your ass. Absolutely deafening volume levels are sure to get your blood pumping. When the two massive speaker cabinets are placed side by side - for one guitar player - you know you are in big trouble. The guitarist uses some tricky sampling pedals and breaks down into trance-inducing tornadoes between songs, then into a whirlwind of feedback just as the bass frequencies begin to peel back your eyelids. With virtually no web presence and always drawing a rather rowdy crowd of individuals, the Mayyors have released several very hard to obtain 7"s. Now that's rock and roll - the way God intended.

Mayyors

Fantomas

One of the heaviest and most unpredictable bands of all time, Fantomas blew the doors off the hinges of the Great American Music Hall this New Year's Eve. Brainchild of the infamous Mike Patton and long time partner in crime Trevor Dunn, (of Mr. Bungle, Moonchild, and countless other John Zorn projects) along with Buzz Osbourne (of the Melvins), Fantomas is a cinematic terrordome of suspense and violence. These lunatics have brought us many a wild project, but this incarnation is as sarcastic as it is sadistic, the ultimate in post-metal meltdown. Dale from The Melvins has replaced Dave Lombardo of Slayer on the drums - some enormous shoes to fill. The night was festive in every way as champagne and colorful party favors were passed around the audience. Phenomenal musicianship is the common denominator in this equation, as metal and hardcore are deconstructed into tumultuous textures. The complexity is only rivaled by the sheer brutality of the sound. Beautiful.

Fantomas

David Byrne and Brian Eno

After decades in the public eye, these two icons of musical innovation have retained their well earned reputations as two of the most interesting people around. Their first album together in twenty years, "Everything That Happens Will Happen Today" is a return to the cutting edge of new music. The album was constructed as the two of them hammered it out in their home studios, trading files over the internet. The album now streams for free on the website.

David Byrne played at the Davis Symphony Hall, the most spectacular venue you could ever hope to witness such an occasion. It was one of the most enchanting evenings of my life. Complete with rhythm section, backing vocalists, and dancers running around the stage, pulling people out of the crowd to join them. It was a beautifully crafted evening of music spanning across decades from the genesis of The Talking Heads to brand new music from the new album. The evening ended with the Extra Action Marching Band taking the place by storm for "Burning Down The House". Fantastic.

Everything That Happens

Foals

I saw these whipper snappers warm things up at the Treasure Island Music Festival. They certainly came out swinging. The stage was cluttered with a dazzling array of vintage keyboards and amplifiers along with a stripped down, bare bones drum set. Within minutes bits of drumstick are flying through the air and I am sold. These guys rock! Straight from Oxford, England, Foals have catalyzed the post-punk DC mathrock sound with a funky, syncopated complexity, reminiscent of bands like Fugazi, Q and not U and Burning Airlines. Their ripping debut release entitled "Antidotes" is available on Sub Pop.

Foals


Kim Gordon Meets Phantom Orchard

WOW! World premiere performance of a new collaborative project from Kim Gordon and Phantom Orchard along with very special guests Trevor Dunn (Mr. Bungle) and Yoshimi (the Boredoms). Phantom Orchard is the project of renegade harp virtuoso Zeena Parkins and laptop innovator Ikue Mori. Prominent players from the downtown music scene in NYC, these two have contributed to numerous Zorn projects recordings. Now Kim Gordon has brought them together with two other amazing downtown players, for this enchanting evening of dark atmospheric madness. Only one thing can be said for certain - these performers never disappoint.

Phantom Orchard

Ludicra

Ludicra are the female fronted titans of the Bay Area metal Scene. The show was spectacular. I had the greatest time watching this band. Their sound is a perfect blend of speedy shred and crushing breakdowns, complete with world class guitar glory. The overall sound was exquisite. Run out and buy all of their albums immediately.

Ludicra

Happy Hollows

So I had the great fortune to discover these guys a few weeks back as part of the Mission Creek Festival, and it was a real treat. This rockin' power trio, comprised of guitar, bass, and drums, with a little synth sprinkled about, is a thrill to see live. Basically Sarah, the chick who fronts the band is an outrageous babe who jumps around and headbangs and instantly makes you want to do the same. She also happens to be an awesome guitar player, and runs through some pretty impressive technique complete with lightning fast finger picking and tapping. The music is sabbath inspired indie rock, or something like that, with adorably playful vocals. They are so much fun to watch that it takes a moment to grasp the superb musicianship. At any rate they totally rock and I highly recommend coming out to see them at the Great American with Deerhoof on Sat Oct 4th.

Radiohead

Let's just say I had outlandishly high expectations for this show. And they were completely surpassed in every way. I could not believe what took place in Golden Gate Park for two straight hours. There were moments in which total silence fell over the vast sea of people as the entire crowd was caught off guard, collectively gazing in awe. I myself was so excited to be there. This band has truly asserted their place in history alongside the greatest bands of all time. In moments of explosive techno bliss, I felt like I had traveled time into the future of music. Unfiltered experimentation and innovation executed with masterful musicianship. As you've probably already heard from a bunch of people, this was a performance of epic proportions, easily the concert of the year.

Radiohead

Wolves in the Throne Room

Wolves in the Throne Room took the stage in an erie fog of smokey darkness. Deep and Grinding the set pounded on leaving the audience mesmerized. Dark, heavy, evil, wailing, these guys are the real deal. Vocals are amazing, just full power concentrated rage of the highest caliber. I heard they live in the woods and grow all of their own food. Well God damn... that's punk rock!

Faun Fables

This impossibly brilliant band began the evening with the ceremonial lighting of a candle, upon a small table draped in a red cloth, containing an assortment of home made instruments - such as jars filled with seeds and grains used for percussion. The group rotated instruments without missing a beat and led us on an insightful journey to an elusive and magical place - the home. "A Table Forgotten", the title track of the new EP, is a woful, subversive tale of a time in which age old customs appear to be eroding unnoticed. I thought the material was bold and thoughtful. The performance was truly fantastic. Faun Fables played Cafe Du Nord on 7/31/08.

Moonchild

This was easily one of the heaviest and most intense shows I have ever seen. It was absolutely mind blowing to see this group live. The volume, the dissonance, the power... all completely pushed the limits of my physical and mental endurance. With Zorn at the helm behind the mixing board and these seasoned veterans unleashing every last drop of energy and sweat this was a spectacle of massive proportions. At one point people were seen to be covering their ears and fleeing the venue, all to Zorn's merciless delight. Top ten shows ever witnessed by yours truly. Moonchild played the Great American Music Hall.